I had the opportunity to participate in a women’s circle last weekend and to lead a drawing session with an amazing group of women. By the time we started drawing, trust had been deeply established between all present, so it was easy to get to the core of the practice of drawing the nude body. Although there were a dozen of us around the table, we drew mostly in silence. It was a comfortable, calming, peaceful silence. The women paired off in twos afterwards, explaining to each other what the drawing represented and how they felt while drawing it. At the end each told the entire group how she had felt and what she had seen. This is what we heard:
” Drawing the body brought me comfort, it made me feel calm and connected to myself in a way I had never felt before. ”
” This drawing speaks of tenderness, of letting things flow and and letting go of anything in my vision of myself that no longer serves me. ”
“Drawing images of nudes was a revelation for me… seeing the body in all it’s frailty is so beautiful! But it was also in looking straight at what bothers me… facing up to that discomfort… it became a way of freeing myself from so much judgement. It’s like I was finally able to embrace what I’ve so long rejected, and make peace with it.”
“I felt so in touch with my own vulnerability while drawing, it helped me accept that part of myself that is fragile, and yet no longer see it as weak. ”
“I don’t like my curves, yet I was touched by the sensuality of the body of the model I was drawing from. It made me feel better about my own body. I felt more alive afterwards.”
“I really appreciated this process of contemplating the human body through drawing. It liberated me from a huge amount of inner tension that I didn’t even realize I was carrying!”
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I’m taking a class to learn how to draw the body without using a photo for reference, and it’s a bit unnerving! I’m pushing beyond my comfort zone, which is good. I will take you along for the ride if you’re interested, but most of all I’d like to share the fascinating symbolic connections I’m discovering in the process.
One thing I’m learning is that every single thing we perceive in the universe is made up of lines and curves. That’s it. Simplistic perhaps, but true. Energy or action either moves outwards or inwards. And intentions generally move up or down, to the left or to the right. Hand-drawn circles are never perfect and erasers are the best second-chance tools ever!
What else? On paper, all bodies are made up of the same parts (of course in life there are exceptions), and they pretty much fit together the same way, no matter how well or how badly we draw them.
So… here’s my little “aha!” moment that happened while attempting to copy these little figures that the professor shared in his lesson. The “aha!” was about how small our really big concerns about our bodies actually are, when put into perspective. How unfounded, unimportant, unfathomably silly our angst about our cellulite, our pimples, our weight or our pointy elbows appears in the backdrop of this effort to reproduce the phenomenal complexity of a human being on paper.
I’m not minimizing anyone’s pain or suffering with their body image or their health or their weight; I totally understand the gravity of these concerns because I share them. But my struggle in making these little figures was an excellent reminder that our bodies are also, always, unfathomably awesome machines made up of many moving parts! And they function marvelously with little intervention on our part (think about the essential involuntary processes the brain commands like breathing and digestion).
So just maybe that thing we think is so wrong with us it not wrong at all, but just another aspect of one of the many manifestations of humanity in all its glory? Can you see how cute you are in my squiggly figures?
Drawing is really about seeing. What people enjoy about looking at art is simply seeing things in new ways, from someone else’s perspective, different than ours. But so many of us have this learned belief that you’re either an artist or not, you can sing or you can’t, you’ve got talent or you just don’t. But it isn’t black and white. Talent, desire, interest or a natural inclination towards creative activities certainly help, but there are still skills involved that need to be learned and practiced.
The body is made of up a series of shapes, just like a building or a landscape, and if we break it down it’s much less daunting… the head is an oval, arms and legs are basically sticks, the torso a block and fingers and toes smaller sticks. If we can give ourselves permission to try, humbly enough to not immediately expect exceptional results, we can all learn and improve our skills as our brain starts to see the lines, curves and shapes that make up the overall picture. Then everything around us can be turned into a picture!
This is my husband playing air guitar in the kitchen as he listened to his favorite tunes while cooking. While you can’t see the dynamism of his movements (he was really rocking it!), I managed to capture his form in the simplest way possible… his head is an egg-shaped oval, his arms bent sticks, and his fingers just smaller, curved sticks bent into action.
The drawings on this site, all mine, are mostly copied from photographs, because my process and my practice were about learning to see my body differently and to accept myself the way I am. I got good at it because I’ve been doing it for twenty years! But I want to make the process accessible, as my drive is to invite others to try this process. Because I want them to know the relief I have known from the self-judgement that kept me down for so many years! But obviously, it needs to be accessible.
I am taking a course to learning to draw without tracing photos. It’s a different process, and so I will do my best to share that process here. So even if you think you can’t draw (believe me, I sometimes think that too!) you will see that we can all, at the very least, learn to see… our bodies, and our lives… differently.