Our bodies are constantly morphing creatures that need our love

The only certainty is uncertainty” (a quote attributed to many philosophers…)

When it comes to our bodies, clearly the uncertainties are different for everyone; women’s bodies change in ways that men’s bodies don’t, and yet everyone’s body, different from the start, changes with age and rides waves of well-being and illness that sometimes include disability or disease.

nude woman self-portrait body image

I love to read books that follow characters closely over their lifetime, to get a sense of who they were, what drove them, where they shone and what brought them to their knees. How they felt, how they looked, how they navigated the world.

The only lifetime we really get to know intimately is our own, because we only actually live in one body; ours. And change is the only certainty, even for our bodies. In my fifties now, I am fortunate to have known the joys and pains of pregnancy and childbirth, but also the despair of disordered eating and the discomfort of being both overweight and underweight. I navigated as best I could the awkward stages of puberty and the bumpy road into menopause; the irresistible bliss of sex and now, a strong sense that my creative energy must be poured into pursuits that go beyond me to reach out to others.

At some point, I discovered that the more loving attention I pay to my body by eating well and moving in joyful ways, the better I feel, and yet food and exercise can easily fall under unhealthy, unconscious control. Hunger, emotions, and anxiety still take over sometimes and affect my food choices. I can’t be too rigid or too relaxed about it. It’s been years of trial and error to find out how much control is enough and how much is too much; a constant moving cycle of listening, starting over, going too far and making my way back. It’s the dance of being me, in all the different forms this pushes my body to take, and being okay with myself at every stage has been the biggest challenge of all.

One of the gifts of self-portraiture is gaining the distance that a drawing or a photograph allows – that step back that offers a new perspective. Having taken that step back repeatedly over twenty years, I can see all the changes in my body as inevitable, telling, but also, so natural! We grow, we change, we fall, we pick ourselves up. I try not to be so hard on myself; it’s all just a part of the cycle that is life. We are so fortunate to experience this life through our bodies.

What I like the most about this self-portrait – this moment in time captured on film – is the highly expressive gesture of my right hand pressing into the soft area under my ribcage, just above my belly button. I don’t remember how I was feeling the day I took the photo, but while drawing I understood this gesture to be pointing at where it hurts, yet at the same time offering reassuring touch to a vulnerable place. While disordered eating is without a doubt an act of seeking comfort from the outside, this gentle, tender, albeit tentative gesture seems like a move towards self-love and self-comfort… a doorway to liberation often found in this simple process of drawing exactly what I see.

The romance of the human body

One of the most impressive self-portrait artists I have discovered is Joan Semmel, whose very realistic and “unromantic” paintings of her own body as she ages are such a departure from the sleek female nudes we are typically exposed to. While some have called her work stark, as an aging woman  myself (aren’t we all aging?), I find her paintings bring a refreshingly honest perspective on the human body.

painting self-portrait nude woman Joan Semmel

In this image, I see vulnerability juxtaposed with immense courage. The pinks and yellows that form the skin tone, as well as the cushion and the background, seem to present an equal mix of softness and firmness; a good description of any human body. The veiny arms and hands, the not-always gentle curves,  the volume of the breasts as well as the fleshy form at the back of the thigh appear more lifelike and relatable than the wispy-limbed models preferred for fashion shoots.

Although her bareness can be surprising at first, I quickly felt that the woman in the painting projected a familiar figure.

To me, this woman half hidden by the camera and yet so very exposed, could well be my grandmother, my aunt, my next door neighbour. She could even represent me several years down the road. Above all, the woman I see is human in the purest of ways, and I admire her for bringing these images into the world.

Seeing an older body is almost a relief compared to the idealized perfection we are exposed to. I am grateful to you, Joan Semmel for daring to show the beauty of the female body in the forms your own body has taken over the years. Your artwork is soothing, like advice from an elder, giving us permission to be fully ourselves, as graceful or as “stark” some aspects of nudity, vulnerability and aging may appear.

To learn more about Joan Semmel’s self-portraits over 40 years, follow the link to this article for more info and more images.

Nude does not have to be lewd or prude

Nude woman, kneeling on bed with hands in hair, smiling shylyThere has been so much abuse towards women’s bodies, directly, and indirectly, using images, that it is totally understandable how protective and defensive we are about our hiding our nudity.  Too many unthinkable  things have happened when people’s privacy was breached and their vulnerability disrespected. Horrible things that can take a lifetime to heal.

It is not a given in our society that sharing a nude image, whether it be a photograph or an illustration, does NOT consent to its sexualisation. I did not take this photo or draw this self-portrait to attract or impress anyone.

I did so to dare to really see myself when I didn’t even want to see myself, to learn to perceive myself in a different light. Today, I see a soft image of a lovely woman, but at the time the photo was taken, I was working through shame about aging and having gained a few pounds, and that was all I could see then. The truth is, I was working through my shit, and it was an act of bravery.

Of course nobody needs to see my naked body, or anyone else’s for that matter, and yet, I’ve discovered that there is freedom in facing this intense fear of being seen and judged.  The more nude bodies I saw, in figure drawing classes, in photo sessions, and during my rare visits to a nude beach, the more comfortable I became with the raw vulnerability of humanity, including my own! And nobody could possibly judge me as severely as I have judged myself.

I don’t share my self-portraits because I’m an exhibitionist, in fact on a sliding scale I am way closer to “prude” than to “daring”.  I reluctantly started this practice almost 20 years ago, and I continue this practice with conviction because it has helped me make peace with my body. I share it because I want to go forward loving myself and sharing the simple tools I have discovered with others.

I remain forever grateful to the models in my figure-drawing classes. By attending and organizing figure-drawing sessions, it allowed me to see a variety of different body types, which led to both a detachment from, and an appreciation for every nude body we were given the privilege to draw.

It is truly a privilege to see a person nude. It’s not a right, or an embarassment, but rather a gift. It is a tender reminder that we are all vulnerable creatures underneath the costumes we wear, no better or worse than anyone else. May we all learn to treat our bodies with all the big respect that they deserve.

Stand back and behold your beauty

It is true that when we’re too close to something we can’t see it clearly.

Standing back, even taking a break from seeing something, can help change perceptions. Imagine if there were no mirrors in your home, and you no longer checked your appearance on a daily basis… how would you see yourself if you only saw yourself on rare occasions? You might actually like what you see, much more than you usually do.

Photographing our bodies can be very helpful in changing perceptions, because is gives us that “stand back” view, and it also allows us to see angles of our physique that we can’t normally see at all. Without the help of photos, we really do not know what we look like from the back! This practice also gives us a sense of time; growth; transformation and the inevitable changes that come as we age.

Photographs made into drawings add another layer of detachment and appreciation to this process of self observation and self knowledge.

nude women sitting with loose belly flesh

Too many people focus solely on the aspects of their bodies that they find unacceptable. I wish I could cure us all of these misperceptions by somehow bringing us all back to the simple wonder of a human life living in a flesh costume. No matter how much we may dislike our thighs, our breasts, our cellulite or our arm flaps, it really is urgent to understand that our lives are precious fleeting moments and no matter how we look, we are so very fortunate just to be alive in a human body.

When you look at these intimate drawings, what do you see?

 

Waist or no waist

“Who I am is certainly part of how I look and vice versa. I want to know where I begin and end, what size I am, and what suits me… I am not “in” this body, I am this body. Waist or no waist.

But all the same, there’s something about me that doesn’t change, hasn’t changed, through all the remarkable, exciting, alarming, and disappointing transformations my body has gone through. There is a person there who isn’t only what she looks like, and to find her and know her I have to look through, look in, look deep. Not only in space, but in time.”

building positive body image with aging

“There’s the ideal beauty of youth and health, which never really changes, and is always true. There’s the ideal beauty of movie stars and advertising models, the beauty-game ideal, which changes its rules all the time and from place to place and is never entirely true. And there’s an ideal beauty that is harder to define or understand, because it occurs not just in the body but where the body and the spirit meet and define each other.”

– from the wonderful writings on aging by  Ursula K. Le Guin

To know your own beauty

The good thing about growing older, is that we truly do get wiser. Experience is the best teacher and after many trials, errors and a few successes, we do learn to do things differently and to see things differently. While there is something enthralling about youth, newness, guileless energy and strength, we must learn to see the beauty in maturity, in fragility, in slowness and in vulnerability, particularly in ourselves as we slow down and ripen into middle and then old age.

If disordered eating and negative body image are truly forms of mental illness, I never really understood that I was sick. Although I sought help, no real help was to be found other than prescriptions for anti-depressant meds, which I tried, but didn’t get good results on them. So I just kept wading through my own mental muck, thinking everyhing that was wrong with me was my own fault.

madaboutmybody10

After at least twenty-five of years struggling, striving and battling with myself, I think I have reached a place where the self-acceptance is finally greater than the doubts and the self-harassment. Finally. I can’t look back without thinking “what a tragic waste of energy…” and wondering how my life would have been different had my inner life been gentler.

But here I am with my process to share. Reaching out to see if I can possibly grab on to the hand of someone else who is suffering like I was, and help show them the way home to themselves through this simple practice of drawing the body.

When I was in my twenties, I was not that aware of my beauty, or my strengths. I didn’t yet know how powerful I was as a woman, as a human being, with a heart full of compassion. I thought appearing beautiful on the outside was extremely important.  Now I  see so much  beauty everywhere I turn in life, and I wouldn’t have it any other way, because I see myself as part of that beauty too, and I’m not trying to change myself any more.