Anastasia (series) – II

Anastasia was struggling with dieting and really frustrated with her body; not at all at peace with her shape or her weight at the time we met. Talking about it honestly, I think she was surprised to hear that even though I was slim, I felt just as uncomfortable in my body as what she described, and I’d always felt that bad about myself, for as long as I could remember. I told her how using imagery to fight for the cause of improving body image and loving our bodies was helping me work on my issues. I explained that for several years already I’d been photographing and drawing the nude body, including my own, and how liberating it was. She seemed to understand how this process could be helpful, and liked the idea of doing a photo shoot with me. It didn’t happen right away, because as I well knew from my own experiences, a lot of inner resistance came up in the meantime.

Our photo session finally happened about a year later. It had been a rough year for Anastasia; a break-up, a move, and quitting a boring office job that led her to enroll in a course to become an esthetician. She told me about these studies, in particular how the practice periods required intimate contact with other students’ bodies through massage and skin care, and how this had made her a lot more relaxed about everything body-related. She said she now felt ready to be photographed nude, as a challenge to herself. Instead of trying to lose weight or change her body, she just wanted to change the negative opinion she held towards herself.

To explore a body symptom is to enter it, as it has entered us, and to partake in a sacred mystery. It is with the greatest respect and humility that we undertake this task.

— Rose-Emily Rothenberg, The Jewel in the Wound

The beauty in vulnerability

People say I draw well, and of course I appreciate hearing that. I love to draw, and I have put in alot of hours doing it, and we get better at anything we repeat. But being good at drawing is not the point of this blog. It’s about the process.

It’s about slowing down, taking the time to really look at the human body, your own or someone else’s. It’s about feeling what you feel and contemplating what you see. The overall picture, the details, and all that’s unseen. So many functions keeping us alive are completely invisible!

Drawing the body is the complete opposite of looking at yourself in the mirror and believing the fourteen critical thoughts that pop up in the first three seconds.

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In this image I see many things. This time it’s not a self-portrait, it’s of a friend. I was taking the photos. I remember the room we were in, the mood, her discomfort yet absolute determination to face her fears and do this, our laughter, and the sense of accomplishment we both had when the camera was put away and she dressed.

I see strength in this body, and I see light. In that frozen moment, I see something pure and tender that is not trying to hide or cover itself up or embellish itself in any way. I see the humility, the trust and the courage required to be vulnerable and be seen. While drawing, I did not see my friend’s ego, her personal issues or her health struggles, I just saw her, very simply, and I felt love and compassion.

I know that if she were to see the actual photograph, she would probably wince, like I do when seeing images of myself, and she would probably find something wrong with her body. I hope that when I show her the drawings made from that photoshoot, she’ll see the simple beauty that I saw as I drew.

Write to us at madaboutmybody@gmail.com if you’d like to try this practice.  We can correspond to coach you on how to do an easy photoshoot, or supply silhouettes of bodies similar to yours that you can trace from and then draw, colour, or paint. Everyone can get something out of this process, even if you have never drawn in your life.

Hating my body until I choose to love it

…again, and again, and again.

It’s so easy to hate. Myself. It’s an ingrained habit, my baseline, my norm. Why? WTF???

What is there to hate? I am human, I am healthy, I am here in this world with a strong enough body that has served me immensely and was able to bring children into the world! I can see, hear, smell, taste, touch, sing and DANCE! So really, what’s there to hate? Yet I so easily fall back into the noisy criticisms about my looks, my weight, and my fears of what people think of me.

When I’ve really had enough, I get down on my knees and put my forehead on the floor  and stretch out my arms in the wonderful position that yoga calls “the child pose.”

Bodyinchildpose_raw

And I say a prayer and try hard to let go of all the ridiculous accusations coming from my mind that are making my life miserable. Sometimes drawing helps, sometimes it doesn’t. But I must admit, that most times, it does. Sometimes, I write on my drawings. I talk to myself through my writing, to change my ideas about my body. I affirm life and beauty and love. I don’t want to live in self hate-anymore. Enough.

Bodyinchildpose_writing

Really, what is there to hate… other than the painful disconnect between my thoughts about how things should be, about how I should be, and the reality beyond thought that can only be experienced by getting out there and living, rather than waiting until I’m good enough?

No matter what size, it’s my body

I have been photographing myself nude for almost two decades. Daily during some periods, while other times I stopped for several years but always started again, because even if I was hugely resistant towards it, I had to admit it helped improve my body image. It made me stop hiding from myself and really look at the body I have. Drawing the photos afterwards was a further act of acceptance, and often became a process of very peaceful contemplation.

This series was taken when I was at my heaviest; perhaps not obese, but not very comfortable in my own skin, and well above a weight that felt healthy for me. I was not happy with myself in general during that period of time, and I think my compulsive eating habits and lack of activity were simply being reflected in my body shape.

This is how the drawings look in process. I choose an image, maybe crop it or fix the contrast, then print and trace it, and finally, sketch in the highlights. These photos of the drawing in progress were just taken with my cell phone. Look how much softer it appears when the contrast is adjusted; the drawing looks more skin-colored, like I’m gently hidden in the shadows.

During this photoshoot (a close friend was behind the camera), I felt shame and disgust with my body. I was trying to kneel down in this image and was struggling to bend my legs and sit on them. It is not a natural position for bigger bodies to get into, and although there is nothing wrong with that, I was embarassed. Seeing these drawings later, I just see softness. I see lovely curves and a roundess that is full of life, like an abundance. The abundant body gives much to those it envelopes. The abundant body, to me, is a shared body, a beautiful body, a gentler, softer body that is inviting and available in a way that a firm body isn’t. That was me at one time in my life, and it was okay. I wish I had known so at the time. I was SO hard on myself.

Seeing ourselves nude is of course very revealing.

Being “stark naked” means being extremely vulnerable.

biggerbody1-c I think we all prefer to be strong and in control. Ideally, Instragram perfect. But we’re not just that, and we can’t always  be strong and in control. Accepting our vulnerabilities, our nakedness, our weaknesses and our doubts is the best way to recognizing our strengths, even if it means going against a society pushing us to perform and improve, no matter what. 

A bouquet of forest in my soul

The winter is long, and I feel sad and tired some days. Insomnia is my most intimate partner right now and I have difficulty embracing it. Morning brings light and hope, even if I feel rough. Drawing is my meditation, and settling in at my desk in the early hours to draw, even for a few minutes before leaving for work is as much an act of observance as is it a choice.

I trace my body in the forest, again, ten years ago, before I gained all that extra weight. Even if the shape of me then is pleasing to my eye now, I imagine faults in my character as I trace myself. The mean voice is never far away. There is always something wrong with me.

It’s the leaves that bring me peace, their subtle life force, the burst of a thousand different greens. The affirmation of the forest that growth and renewal are always possible. That what is firmly rooted in the earth will always allow something beautiful to spring forth.

Leaves. Beautiful, gentle, tender sprouts of simplicity… I trace another one, and another, and suddenly the tears well up and my breathing is laboured. I don’t cry easily, it scares me, overwhelms me, but I try to let it be, to let the emotion flow through me and let the tears fall, even if they’re ruining my eye make-up and I have to go to work soon.

I feel sad for all the difficulties in my life, in everyone’s lives. I feel the weight of the struggles in the world. I am touching my brokeness and the vulnerability I feel that makes me strive to be perfect, to show my worth to someone, anyone, everyone, to convince them, and eventually, hopefully myself, that I really do deserve to be loved. Convinced that I have to earn it. I am crying for all the pain I’ve felt and that I know so many other people feel when hating myself has been easier than finding what’s lovable in me. For all the years and opportunities lost in self-sabotage. For all the darkness I’ve fed rather than turning towards life for light.

Thank you forest, thank you leaves. Thank you my body for still being there with me no matter how nasty I have been to you. Today I will carry a bouquet of gratefulness and soft green leaves in my soul and remind myself that Spring always, always follows the Winter.