Our bodies are scorned by our minds

Spurned, rebuffed, shunned, snubbed, rejected and ignored.

We have collectively learned to hold our bodies in contempt, and many of us are destroying ourselves with self-criticism. We so want to be someone or something that we are not, that we cannot see the wonder of who and what we are.

The opinions, criticisms and insults against our bodies (and others’!) flow freely through our minds in a daily, hourly, sometimes non-stop barrage of negative thoughts, most of them untrue.

And the only way we can turn this around, if we really want to, is by engaging in a committed barrage of new thoughts about our bodies, even if they are not initially thoughts of love or even acceptance. A practice of looking at ourselves the way we really are, repeatedly and objectively, can in time turn the tides to silence the oh-too-easy analysis of our endless faults.

We don’t evaluate others as harshly as we do ourselves. If you have had the opportunity to care for a baby, a kitten or a puppy you have probably spent hours marvelling at how adorable they are and what amazing things they can do as they learn to use their bodies. Imagine if we saw our own bodies in that light, even at 30, 50 or 70 years old? Those who have lost the use of a limb or have undergone treatments for serious illnesses are more likely to be grateful for the things their bodies can do than someone who is healthy. We need to re-learn curiosity and appreciation of the many little things a body can do, and we can.

Drawing is an incredible tool for learning to see differently. You don’t have to have talent or technical ability to use this tool, it can be as simple as tracing a photograph or free handing a stick-like figure. It’s the process of looking, slowly, at something you see every day from a new angle in order to really see it. It’s quite the opposite of a quick form-check in the mirror where you usually find something to “fix”. Our bodies don’t need to be fixed, they are screaming to simply be honored.

See here for a quick intro to drawing/tracing the body.

If you want help exploring this process, write to me at madaboutmybody@gmail.com

Art is the best remedy I know

I feel better when I draw or write. Even when I scribble while talking on the phone. These seemingly useless practices are important ways of working out unconscious stressors and uncomfortable emotions. I can’t say enough how important it is to get past the idea that you have to be an artist in order to draw. I truly believe we are all artists and the way we express ourselves can take many shapes and forms, just like our bodies do. Drawings don’t have to be studied or perfect, they just have to be attempted.

When I started photographing myself, it wasn’t for the results. It was a practice and a process through which I was trying to see my body differently than the way I imagined it in my mind, and differently than the way I perceived my reflection in the mirror. It felt daring and risky, and it gave me more inner liberty than I usually felt, even if I was squeamish about looking at the photos years after I had taken them. It was a life-affirming practice of claiming my selfhood where it was most intolerable.

In this drawing, as in many of my early self-portraits, I am curled up hiding my vulnerability. This position is a wonderful yoga stretch called the Child Pose, which feels great and allows for rest after other extensions. When I drew this I was mad. Mad about my knee-jerk self-critical reactions. Mad about all the time I’d wasted hating myself and my body. Mad about just plain feeling bad about myself. What spilled out as I drew were these words affirming that I wanted to see my body in a different light and live more fully.

It’s not a promise I’ve been able to keep one-hundred percent of the time, but it remains my manifesto. And after twenty years of drawing my body and a wide variety of other bodies, I’m still drawing and writing what comes up, because it brings me peace.

Our bodies are constantly morphing creatures that need our love

The only certainty is uncertainty” (a quote attributed to many philosophers…)

When it comes to our bodies, clearly the uncertainties are different for everyone; women’s bodies change in ways that men’s bodies don’t, and yet everyone’s body, different from the start, changes with age and rides waves of well-being and illness that sometimes include disability or disease.

nude woman self-portrait body image

I love to read books that follow characters closely over their lifetime, to get a sense of who they were, what drove them, where they shone and what brought them to their knees. How they felt, how they looked, how they navigated the world.

The only lifetime we really get to know intimately is our own, because we only actually live in one body; ours. And change is the only certainty, even for our bodies. In my fifties now, I am fortunate to have known the joys and pains of pregnancy and childbirth, but also the despair of disordered eating and the discomfort of being both overweight and underweight. I navigated as best I could the awkward stages of puberty and the bumpy road into menopause; the irresistible bliss of sex and now, a strong sense that my creative energy must be poured into pursuits that go beyond me to reach out to others.

At some point, I discovered that the more loving attention I pay to my body by eating well and moving in joyful ways, the better I feel, and yet food and exercise can easily fall under unhealthy, unconscious control. Hunger, emotions, and anxiety still take over sometimes and affect my food choices. I can’t be too rigid or too relaxed about it. It’s been years of trial and error to find out how much control is enough and how much is too much; a constant moving cycle of listening, starting over, going too far and making my way back. It’s the dance of being me, in all the different forms this pushes my body to take, and being okay with myself at every stage has been the biggest challenge of all.

One of the gifts of self-portraiture is gaining the distance that a drawing or a photograph allows – that step back that offers a new perspective. Having taken that step back repeatedly over twenty years, I can see all the changes in my body as inevitable, telling, but also, so natural! We grow, we change, we fall, we pick ourselves up. I try not to be so hard on myself; it’s all just a part of the cycle that is life. We are so fortunate to experience this life through our bodies.

What I like the most about this self-portrait – this moment in time captured on film – is the highly expressive gesture of my right hand pressing into the soft area under my ribcage, just above my belly button. I don’t remember how I was feeling the day I took the photo, but while drawing I understood this gesture to be pointing at where it hurts, yet at the same time offering reassuring touch to a vulnerable place. While disordered eating is without a doubt an act of seeking comfort from the outside, this gentle, tender, albeit tentative gesture seems like a move towards self-love and self-comfort… a doorway to liberation often found in this simple process of drawing exactly what I see.

The romance of the human body

One of the most impressive self-portrait artists I have discovered is Joan Semmel, whose very realistic and “unromantic” paintings of her own body as she ages are such a departure from the sleek female nudes we are typically exposed to. While some have called her work stark, as an aging woman  myself (aren’t we all aging?), I find her paintings bring a refreshingly honest perspective on the human body.

painting self-portrait nude woman Joan Semmel

In this image, I see vulnerability juxtaposed with immense courage. The pinks and yellows that form the skin tone, as well as the cushion and the background, seem to present an equal mix of softness and firmness; a good description of any human body. The veiny arms and hands, the not-always gentle curves,  the volume of the breasts as well as the fleshy form at the back of the thigh appear more lifelike and relatable than the wispy-limbed models preferred for fashion shoots.

Although her bareness can be surprising at first, I quickly felt that the woman in the painting projected a familiar figure.

To me, this woman half hidden by the camera and yet so very exposed, could well be my grandmother, my aunt, my next door neighbour. She could even represent me several years down the road. Above all, the woman I see is human in the purest of ways, and I admire her for bringing these images into the world.

Seeing an older body is almost a relief compared to the idealized perfection we are exposed to. I am grateful to you, Joan Semmel for daring to show the beauty of the female body in the forms your own body has taken over the years. Your artwork is soothing, like advice from an elder, giving us permission to be fully ourselves, as graceful or as “stark” some aspects of nudity, vulnerability and aging may appear.

To learn more about Joan Semmel’s self-portraits over 40 years, follow the link to this article for more info and more images.

Reclaiming convictions over criticism

I remember this photoshoot well.  A safe space to dare with a kind, supportive friend behind the camera.

I hadn’t been photographed in many years. I had of course aged, and gained weight and I didn’t even want to look at myself, let alone be photographed or draw myself anymore. Inside, I felt pushed down, boxed in, folded over, unacceptable and left out of “the game” (whatever that means!). Uncomfortable with myself. I’d stopped caring. I’d stopped fighting. I’d stopped really paying attention to, or taking care of my body because it didn’t, couldn’t, wouldn’t live up to my own unrealistic standards. Again.

nude woman squatting during photo shoot to accept her body

But the photoshoot opened something in me, again. And the drawings, done much later, brought acceptance, again. And so we start over, again. What’s true is sometimes so far from our day-to-day thinking and knee-jerk self-judgements that it slips away and we start believing the negative mind chatter, that rattles out lies, over and over until we believe it. And so we have to correct that distorted vision and come back to reality, again and again.

I am convinced that we can change the way we see our bodies, and all bodies. I am convinced that a change in perspective changes our happiness, our health, and our vitality. I am convinced that none of us need plastic surgery or a makeover or a new wardrobe to “look” better. I am convinced that we can change the way we “look” and see, and learn to perceive our bodies differently, to recognize and embrace a simple beauty that was always right there.

I am convinced that the invisible suffering of many, many people who are unhappy with how their body looks is as insidious as a pandemic and as destructive as wildfires. The suffering is too often silent and it has ruined too many lives.

We can change our perspectives and be freed from self-loathing. It is like waking up from a nightmare of devastation and discovering that you are okay, just the way you are. It can be done, and, once you touch this truth, you will never want to go back.

Nude does not have to be lewd or prude

Nude woman, kneeling on bed with hands in hair, smiling shylyThere has been so much abuse towards women’s bodies, directly, and indirectly, using images, that it is totally understandable how protective and defensive we are about our hiding our nudity.  Too many unthinkable  things have happened when people’s privacy was breached and their vulnerability disrespected. Horrible things that can take a lifetime to heal.

It is not a given in our society that sharing a nude image, whether it be a photograph or an illustration, does NOT consent to its sexualisation. I did not take this photo or draw this self-portrait to attract or impress anyone.

I did so to dare to really see myself when I didn’t even want to see myself, to learn to perceive myself in a different light. Today, I see a soft image of a lovely woman, but at the time the photo was taken, I was working through shame about aging and having gained a few pounds, and that was all I could see then. The truth is, I was working through my shit, and it was an act of bravery.

Of course nobody needs to see my naked body, or anyone else’s for that matter, and yet, I’ve discovered that there is freedom in facing this intense fear of being seen and judged.  The more nude bodies I saw, in figure drawing classes, in photo sessions, and during my rare visits to a nude beach, the more comfortable I became with the raw vulnerability of humanity, including my own! And nobody could possibly judge me as severely as I have judged myself.

I don’t share my self-portraits because I’m an exhibitionist, in fact on a sliding scale I am way closer to “prude” than to “daring”.  I reluctantly started this practice almost 20 years ago, and I continue this practice with conviction because it has helped me make peace with my body. I share it because I want to go forward loving myself and sharing the simple tools I have discovered with others.

I remain forever grateful to the models in my figure-drawing classes. By attending and organizing figure-drawing sessions, it allowed me to see a variety of different body types, which led to both a detachment from, and an appreciation for every nude body we were given the privilege to draw.

It is truly a privilege to see a person nude. It’s not a right, or an embarassment, but rather a gift. It is a tender reminder that we are all vulnerable creatures underneath the costumes we wear, no better or worse than anyone else. May we all learn to treat our bodies with all the big respect that they deserve.

Vulnerability reconnects us

Vulnerability is not weakness; it brings us closer to ourselves and to each other.

If you have not yet discovered the writings of Brené Brown, please do! The short description is that she is a university professor, author and mother, who has done years of research on shame. At first discovery, I thought: someone actually studies shame? She did and she does, and the discoveries she shares are ground-breaking. Google her name and you will find a list of her books, podcasts, lectures, and many quotes that resonate with many people.

One of my favourite Brené Brown quotes is: “Vulnerability is the first thing I look for in you and the last thing I’m willing to show you“.

woman bent over crying

Early on, I learned to act like everything was cool and to make the best of things, even if I was falling apart. To never show weakness or fear; to just push on through with a smile. I’m getting better at being more authentic, which means I cannot always hide my distress anymore. It’s uncomfortable, but rather than sharing and trusting that it will pass, I tend to beat myself up and be angry with myself. Which ends up pushing people away, because ultimately I come off as snobby or rude when refusing to show my true state.

And yet, when I’m not feeling my best, that’s when I most need to feel close to people!

Years ago I ran into a friend of a friend, someone whose path I crossed often, but who I wasn’t really sure I liked. Every time I saw her, her demeanor was light and bubbly and happy and it put me off, I guess because it felt like a show. Her behaviour mirrored my own, and irritated me because I felt like I never got to see her true self.

This time, when I asked how she was doing, she admitted she was having a rough day, and went on to share concerns about things happening in her life. My heart immediately grew twenty times bigger in my chest and I just wanted to hug her! The mask had fallen, and she’d let me in by sharing her truth. A truth that I could relate to with empathy. I think of her and this meeting often when I’m feeling down and not wanting to admit it or show my darker side to anyone.

Observing, photographing and drawing the body, your own or a diversity of different human forms, is another way to access this vulnerability and compassion, and it makes us stronger and more caring towards ourselves and towards others. As it’s often been said before, “in our vulnerability lies our strength”. And in our vulnerability also lies the very gentleness of our souls.

Seeing beneath the surface

First impression – what do you see?

A drawing; a photo; a young-ish woman, somewhat thin… nude. Why? What is going on here?

Simply put, a peacemaking process.

self-portrait:  art as therapy

The photograph was taken as a self-portrait during a  difficult time. I photographed myself daily, a process of allowing myself to be seen…

Allowing myself to exist when self-rejection was overwhelming.

Using a timer on a digital camera, I took 3 photos a day for nearly 3 years. While I have taken other photos since, this daily practice was instensely liberating. I have gone back and traced or sketched many of the photos over the years as part of a practice to change my negative perception of my body into a more realistic and accepting perspective of self.

We all have our battle scars; my war with bulimia shows up in visible ribs, and my belly in this photo shows sagging and stretch marks from four pregancies, which while not battles, were powerful events for my body, and some of the most beautiful moments in my life.

I have drawn many self-portraits, and I will continue to do so, inviting others to join me in this practice, because it truly brings me peace. There is no war in my body, the war is in my mind, and this gentle process of seeing myself vulnerable, unprotected and real, is the best way I know to recognize how false and destructive all the noises in my head can be.

Please contact me if you’d like to give this practice a try. You do not need to know how to draw; it can be done very simply with online accompaniment.

madaboutmybody@gmail.com

Stand back and behold your beauty

It is true that when we’re too close to something we can’t see it clearly.

Standing back, even taking a break from seeing something, can help change perceptions. Imagine if there were no mirrors in your home, and you no longer checked your appearance on a daily basis… how would you see yourself if you only saw yourself on rare occasions? You might actually like what you see, much more than you usually do.

Photographing our bodies can be very helpful in changing perceptions, because is gives us that “stand back” view, and it also allows us to see angles of our physique that we can’t normally see at all. Without the help of photos, we really do not know what we look like from the back! This practice also gives us a sense of time; growth; transformation and the inevitable changes that come as we age.

Photographs made into drawings add another layer of detachment and appreciation to this process of self observation and self knowledge.

nude women sitting with loose belly flesh

Too many people focus solely on the aspects of their bodies that they find unacceptable. I wish I could cure us all of these misperceptions by somehow bringing us all back to the simple wonder of a human life living in a flesh costume. No matter how much we may dislike our thighs, our breasts, our cellulite or our arm flaps, it really is urgent to understand that our lives are precious fleeting moments and no matter how we look, we are so very fortunate just to be alive in a human body.

When you look at these intimate drawings, what do you see?

 

“It’s good to be seen”

My dad loved to make fun of convention. He had some really good lines, but by far my favorite was his response when people said “It’s good to see you”.  His reply was: “It’s good to be seen”.

I always thought he was being bumptious (a great word that means self-assertive or proud to an irritating degree), but later I realized that it IS good to be seen! We need to be seen! We want to be seen! It is a basic necessity for us to be seen, recognized, accepted and loved by others.

nude woman seatedAnyone suffering from negative body image may disagree, at least sometimes. I know I’ve wanted to hide when the focus on my imperfect body, or tired face, or whatever my mind was stuck on at the time, made it hard to go forth and happily be part of the world. And so it became urgent to learn to look at myself with love. Self-portraiture helped me accept myself over time, as well as offering workshops and accompanying others in this process. Drawing others also helps to see the beauty in every body, and the practice of live model drawing is a great way see many other bodies, just the way they are.

With gratitude and respect, I will continue to share some drawings I have done of other people here as well as my self portraits, in order to highlight the beauty of every body.  Lately I have had the opportunity to photograph and draw on commission several women who wanted to undertake the process with direct accompaniment and support. These experiences were very rich, and I am happy to be able to offer the possibility to purchase portraits of your body that I can draw  from your photos. Proceeds from these portraits go to supporting this process of helping people learn to see themselves more lovingly. Perhaps, through someone else’s eyes, you will see your own body differently and agree that you are perfect just the way you are, and, that it’s good be seen.